Modern aesthetics of China is in the emergence and development under the influence of Western aesthetics. From a broader perspective, it is the exchange of local Chinese culture and foreign culture in the West, collision and fusion of the product. Collision, fusion of Chinese and Western culture is both a cultural background of Chinese modern aesthetic appearance, development and ideological resources of the construction of Chinese modern aesthetic theory. Characteristics of modern Chinese aesthetics and value, significance, not only from the community to look for reasons and on the basis of political and economic, to seek answers from the culture. Duality of culture both objective and subjective, its external form is an objective matter, and form therein is a subjective psychological (cultural and psychological structure), it is the essence of the spirit of, so it only by individual mental activity in order to play the role. All academic activities, culture and art activities, the most direct and close relationship between aesthetic activity.